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Audified Releases u73b Compressor Plug-In

Now hear this! The u73b Compressor plug-in from Audified is modeled from the vintage German broadcast compressor of the 1960s. Audified got their hands on an original model, broke it down and has now...

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Executive Interview: Ron Burman — President, North America, Mascot Label Group

It takes two: The smartest record labels know that success doesn’t just depend on signing great artists – they have to make equally smart choices in the executives that steer a band’s career. Mascot...

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NYC Event: ACME Audio at Audio Power Tools – Brooklyn, 5/19

Being from the Motor City ourselves, we smile upon any company that proclaims themselves purveyors of the “Motown”. ACME Audio – also being from the great state of Detroit — is just that, and their own...

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The “Locking In” Technique for Programming Authentic-Sounding Drums

Drum image by Flickr user “slgckgc” Some topics in music production are always good for a heated discussion among musicians, fans and producers: Should we tune the vocals? Should takes be edited to...

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TK Audio Releases 500 Series BC501 Stereo Bus Compressor

TK Audio’s 500 series BC501 stereo compressor features all of the power of their rack-mount BC1-S compressor, with additional features from their BC2-ME mastering compressor. Some of these features...

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How to Say Goodbye to a Studio: Recording “When I’m Gone” — by The Looking

How do you say goodbye? Gaze your ears upon The Looking. Carter, the foundation of The Looking, knew he had to depart his creative home. Astraea Studios on upper Broadway, would end a long run of...

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Live Show Alert: Ozric Tentacles – B.B. King’s in NYC, June 14th

Did you ever want to meet a benevolent clutch of creatures from outer space? This Sunday is your chance. The Ozric Tentacles are coming, in fine 2015 form. Even better than their extra-terrestrial...

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Introducing SonicScoop’s Video Blog: “How to Record an Album (And How Not To)”

You asked for it, you got it: SonicScoop is ramping up the video side of the website, and to launch or new video blog, editor Justin Colletti has contributed an epic new post called “How to Record a...

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Gear Review: Focusrite ISA One

The Focusrite ISA One. The Focusrite ISA One is a single channel microphone preamp in a compact desktop format. It is a descendant of the preamps found in the legendary Focusrite Studio Console...

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Audient iD14 Bus-Powered Interface Now Shipping

Audient is well known for their console mic preamplifiers found throughout their entire range of recording consoles and interfaces. Two of these same mic pres have been smuggled into the portable,...

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Sweetwater Has Expanded Its Headquarters & Showroom Store

Not just online: Sweetwater has expanded its in-house brick & mortar music store. The musical instrument and pro audio distributor Sweetwater has recently made significant expansions and...

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Opinionated Audio: David Chesky on Binaural Recording & the Business of...

There is a method to their madness. For Chesky Records, the how of recording is every bit as important as the who of their roster. This is an audiophile label that was founded not on the premise of...

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BAE Audio Releases B15 EQ 500 Series Module

BAE Audio has produced a multi-frequency EQ with the convenience of a 500-series module – the B15 EQ. The EQ module has 3 bands of EQ control. The bands have five selectable frequencies each, for a...

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GEAR REVIEW: All 3 Pocket Operators by Teenage Engineering

All 3 Pocket Operators by Teenage Engineering, I always get dark when people refer to studio kit as “toys”. Especially when you save up the pennies to finally cop some new dopeshit microphone or some...

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Dangerous Music Announces 2-BUS+ Analog Summing Mixer at Sweetwater Gearfest

Dangerous Music has rebuilt their iconic 2-BUS Analog Summing Mixer. One of the most iconic names in A/D summing, Dangerous has announced the 2-BUS+ at the Sweetwater Gearfest this year in Fort Wayne,...

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Video Blog: “Can You Master Your Own Mixes?”

Editor Justin Colletti is back on the new SonicScoop Video Blog. This time: “Can You Master Your Own Mixes?“ Once again, the title says it all. Justin presents the pros and cons of both DIY and...

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Heavyocity Releases GRAVITY – Cinematic Scoring Tools

NYC’s own Heavyocity has released their latest pack of cinematic scoring tools – GRAVITY. The new virtual instrument comes with over 12GB of sounds, ranging from pads, hits, and strings, to ethereal...

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Studio G Brooklyn and GaluminumFoil Productions Announce Partnership

In a hectic 2015 which has seen several New York city studios close, and a few more open, facility convergence is starting to take place. The SSL 8048 G+ in Studio G Brooklyn’s “A” room. To that end,...

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Music for Picture: Max Farrar of LUC!D Productions

Max Farrar of LUC!D Productions. You may have heard his music before, but you probably won’t recognize his name. Max Farrar has kept himself busy by composing for commercials, TV shows, trailers, and...

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Video: The Three Most Essential Recording Studio Upgrades

Editor Justin Colletti is back once again on the SonicScoop video blog. This time? The “Big Wins” of the audio world: Those upgrades that really make a huge difference and provide maximum return on...

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